Samrat Irzhasov, also known as SAMRATTAMA, is a Kazakh musician, poet, and performance artist born in Kostanay. After completing Nariman Turebaev’s workshop on fiction cinema at Turan University in Almaty, Samrat quickly became one of the defining voices of the city’s new indie music scene. His early short videos on social media, in which he read his own poetry, went viral, and he soon found himself on stage — where his talent truly shone — showcasing his radical sincerity and explosive energy. Before long, Samrat became one of the most prominent emerging artists in the region, while remaining dedicated to his background in poetry and film direction. Alongside friends and colleagues, he also presented the SLOG poetry performance series, which consistently sold out.
Samrat’s debut LP, Hemingway in Trousers, was released in 2020 under the moniker sobakasoma via qazaq indie, an independent label from Almaty, and received high praise from critics across the region. Addressing numerous sociopolitical issues, the record musically sits between avant-garde pop and jazz — directions that shifted dramatically over the following years with the introduction of the SAMRATTAMA moniker. By combining his name with Tama, the name of his clan, this evolution marked a conceptual rediscovery of self through a deep exploration of Kazakh and, more broadly, Turkic culture. This shift also had a tangible impact on his music, notably through his recurring collaboration with The Steppe Sons, an Almaty-based Kazakh post-traditional music collective.
SAMRATTAMA’s recent works have led him into the realm of contemporary art. He presented BARSAKELMES, an inaugural performance that launched the public program of the Tselinny Center of Contemporary Culture, where he worked as the project’s curator, director, composer, and performer.

Concert
Rites of the Eternal Wind will feature the world premiere of a new work by Mieko Shiomi, bringing together her recent pieces alongside some of her earlier, legacy works. Titled Rite of Wind and Shadow, the piece will be performed three times during the Triennale’s opening week by three different duos: first, SAMRATTAMA and Nurbäk Batulla; then, Nazira Omar and Tañsulpan Buraqayeva; and finally, Yermek Qazmūhambet and Ziliä Qansura.
Like many of her works, the new piece is based on instructions — sometimes highly precise, sometimes allowing a great deal of freedom for musicians and performers to interpret. Drawing on interactions with the natural phenomena of wind and shadow, the piece is composed for traditional North and Central Asian instruments as well as the performers’ bodies, exploring the boundaries between sound and silence, light and dark, and questioning conventional ideas of what music is and the agency of those who compose and perform it.
The Seeker says:
“Once I found myself in the steppe and realized I had never played in the open air before. I took out my dombra and sat down to play. When I grew tired, I set the instrument aside. And suddenly it began to play on its own. It was the wind that carried there the voices of mighty boulders and sleeping birds”